The painting that hides what it shows

From Oceania and the Pacific·An enduring case

When Central Australian artists began painting for outside markets in the 1970s, senior custodians adapted designs so that restricted ceremonial content was obscured, often by the dotting that became the style's signature. Buyers admire a surface built to conceal. The work is simultaneously public art and protected knowledge.

The concepts this raises

Each of these gives a class a different way into the same case.

PowerKnowledge and Society
The capacity to shape what counts as knowledge, who is heard, and what gets funded, published or taught. Power is not only censorship; setting an agenda, controlling a platform or being granted authority all change the knowledge that a community ends up with.
CultureThe Knower's Lens
The shared practices, language and inherited assumptions of a community of knowers. Culture supplies the questions that seem worth asking and the answers that seem obvious, so its influence is hardest to see from inside it.

Where it sits in the knowledge framework

Scope
What this area of knowledge is about, what problems it takes as its own, and where its questions stop being answerable by its methods. Scope is where you examine why a discipline exists at all and what it deliberately leaves to others.
Ethics
The ethical questions internal to the knowledge itself: what may be investigated and how, what obligations the knowledge places on those who hold it, and the ethical constraints the discipline imposes on its own practitioners.

Areas of knowledge

Themes

Cases that raise a concept this one raises, but in a different area of knowledge or a different part of the world. That contrast is the point: it is what shows a student the concept travels.